Casellario - Screen printing and collage with lacquered wood frame

Edition 1 of 150

Artist Del Pezzo Lucio
Category Figurative Paintings
Creation year 1987
Dimensions 152 x 101 x D 6 cm
Technique Materic screen printing and three-level collage on paper framed with white lacquered wood frame, without glass

About

The lodging is that of the cases where the artist builds on the bottom table of embossed wooden squares inside these squares. In practice, the artist intends to order his memories as you do with computer desktop folders. Throughout his path, the artist has fluctuated between pop, neorealist, dadaist, and metaphysical language. His works, difficult to label, are "visual boxes" in which the architectural and sculptural element embodies painting, collages, and objects, a playful and dreamy language always used as a magnifying glass to analyze and criticize society mass and its consumerism.

This piece is in stock and ready to ship

Signed with certificate of authenticity
This work includes a certificate of authenticity

Regular price € 2.196

MAKE AN OFFER White Glove or special needs?

Shipping worldwide.
Changed your mind? If you are a consumer you may return the purchased artwork within 14 days. Returns are not possible for custom items.

Questions about this piece?

ASK THE SELLER

Shipping, Returns & Payment

Open tab

Shipping
Our shipping methods are determined by item size, type, fragility and specific characteristics. Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
Return Policy
On items eligible for returns, consumers have 14 days from delivery to submit a return request. Returns are not eligible for custom-made items. Read our terms of sale
Online Payment
Fp Art Online accepts the following payment methods:

Buyer Protection Guaranteed

We want you satisfied. If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read our purchase protection

Del Pezzo Lucio

Lucio del Pezzo, after the Academy of Fine Arts in Naples in 1960, moved to Milan. Starting from the 60s, he works between Milan and Paris, where he lives in the old studio of Max Ernst. In 1961 he exhibited in the United States, winning the "Carnegie International Award". In 1964 he exhibited at the Milan Triennale and the Venice Biennale, wherein in 1966, he was invited to a private room with Gillo Dorfles.
The first works of Lucio del Pezzo have seen the Popular Neapolitan culture merge with informal and neodadaist experiences. Subsequently turned to the realization of neometaphysical sculptures in which geometric shapes are flanked by enigmatic, mythical-ritual references, with attention to pop language. In 1977 he finally returned to Milan. He also entered the work of set designer, while in 1984, he was assigned to him the chair of "experimental research on the painting" to the new Academy of Fine Arts in Milan.

In Naples (2001) he performed four large ceramic reliefs and a bronze sculpture for two metro stations. At the same time, he has organized an anthological exhibition at the Castel dell'Ovo. The elements that make up the art of Lucio Del Pezzo are objects, that is, small wooden sculptures, which he distributes on the surface of the work that is generally a table.
These objects are a solid representation of the artist's cultural memories and interests or the fruit of your knowledge: for example, the sphere and the circle are symbols of perfection, the triangle is the flat representation of the number three, the defined number perfect from the Pythagorean school of the I first century ahead Christ, the axonometric figures are a reference to his Passion for drawing. Naturally, not all signs are easy to understand for which it is useless to dwell because not all that any artist spreads on the canvas can be explained, perhaps not even by the author.

In 1966 he joined the masters of Astattism and Italian Concretism, Eugenio Carmi, to the experience of the cooperative of the deposit of Boccadasse, where he holds a personal exhibition. In the same year, an intimate room is dedicated to the XXXIII Biennale of Venice, and the piece begins to obtain numerous awards in the international artistic framework.
In the seventies, he collaborates as a graph with the Olivetti company and the Renault Italia automotive group. In 1970 Arturo Carlo Quintavalle took care of an important anthological dedicated to the artist at the Motor Show of the Pilotta di Parma, followed, in 1974, from a retrospective to the Rotonda di Via Besana in Milan cured by Guido dance.

EXPLORE Del Pezzo Lucio