Quarzite Arancio - Oil on canvas
This is a unique piece
- Artist Romanengo Laura
- Category Abstract Paintings
-
Creation year 2024
- Dimensions 80 x 80 x 3 cm
- Technique The colors are blended in the 'old' way, mixing natural pigments with safflower oil. The varying grinding of the powders creates an alternation of textured reliefs and transparent glazes on the canvas
About
Quartzites are metamorphic rocks containing up to 98% quartz. In many cases, pure quartzite has a gray or silvery color. The yellow and red hues are determined by iron minerals, such as limonite or pyrite. In this painting, it has a homogeneous yellow-orange appearance.
This piece is in stock and ready to ship
Signed with certificate of authenticity
This work includes a certificate of authenticity
Regular price € 2.928
Shipping worldwide.
Changed your mind? If you are a consumer you
may return the purchased artwork within 14 days.
Returns are not possible for custom items.
Questions about this piece?
ASK THE SELLERShipping, Returns & Payment
Open tabOur shipping methods are determined by item size, type, fragility and specific characteristics. Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
Return Policy
On items eligible for returns, consumers have 14 days from delivery to submit a return request. Returns are not eligible for custom-made items. Read our terms of sale
Online Payment
Fp Art Online accepts the following payment methods:
Buyer Protection Guaranteed
We want you satisfied. If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read our purchase protection
Romanengo Laura
“The reasons of his journey aren’t other, but the ones of the pleasure of painting, to really paint.” M. Franzone
She lives and works in Genoa, where she was born in 1970. She studied restoration of paintings on canvas and panel in Florence. “My thirty years of activity in restoring ancient, modern and contemporary paintings allowed me to build an in-depth knowledge of the painting with respect to his material, stylistic and technical composition.
I start with the past of painting and then translate it into informal contemporary. The creation of my painting begins from the frame assembly and the canvas tensioning, and it goes ahead with the handmade mixing of colours composed of milled natural pigments and oil (in the ancient way) with variable dilutions and an almost infinite assortment of colours to be composed.
This allows me both to play with transparencies, by using finely milled pigments of vegetal origin, and to create thicknesses, by using coarser pigments of mineral origin with a larger diameter instead.
I need all these material variations to give depth and softness to my painting without renouncing to the gestural and random component which autonomously takes part with the others.”