Sheep n.21, Dyed and inflated sheepskin sculpture
This is a unique piece
- Artist Maoyuan Yang
- Category Pop Sculptures
-
Creation year 2011
- Dimensions 85 x 80 x H 84 cm
- Technique Dyed and inflated sheepskin sculpture
About
The Dalian artist, but based in Beijing, often insists on the forms of the human and animal body: in his goats and spherical sheep, he often dwells on the exasperation of the lines of the bodies. In recent years, his research has focused mainly on the development of a sculptural practice focused on issues concerning the relations between Asian and Western culture.
This piece is in stock and ready to ship
Signed by the artist
This work includes the artist's signature
Regular price € 54.900
White Glove or special needs?
Shipping, Returns & Payment
Our shipping methods are determined by item size, type, fragility and specific characteristics. Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
Return Policy
On items eligible for returns, consumers have 14 days from delivery to submit a return request. Returns are not eligible for custom-made items. Read our terms of sale
Online Payment
Fp Art Online accepts the following payment methods:
Buyer Protection Guaranteed
We want you satisfied. If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read our purchase protection
Maoyuan Yang
Born in 1966, in Dalian, China, Yang Maoyuan is a highly regarded artist well known for his large and diverse body of work encompassing painting, sculpture, photography and installation. Yang’s works often express his understanding on the sources of culture and the core of life, the theme he most interested in is how art generated the inner power that could adapt with its Time, and how an individual artist express this inner power by his/her own way.
After Horse and Sheep, this kind of usage of roundness and the technique of dissolution used in his look Inside sculpture series. Inspired by the culture thoughts of western from classic period to the age of enlightenment, Yang Maoyuan developed a unique way of sculpting. He cited the concept of beauty from the western culture, only for questioning it. To counter the western discourse, Yang ground and polished all the edges and details of western classical sculptures, reinterpreted them with the inner looking eastern culture views, expressed the philosophical idea of “roundness is harmony”.
Related products
