To Overshoot A36Z - Tempera, naval ropes, compact disc on panel

This is a unique piece

Artist Sardano Vito
Category Wall Sculptures
Creation year 2008
Dimensions 50 x 50 x 15 cm (horizontal)
Technique Tempera, naval ropes, compact disc on panel

About

For the multimedia compositions of Vito Sardano, we can speak, goodbye, of the poetry of the object. He lived in first person, with the Nouveau Réalisme, the capital phenomenon of the twentieth century, the affirmation of the expressive car value of the industrial object and its globalizing conceptual virtue, from the Ready-Modes of Marcel Duchamp to the impregnated objects of Blue by Yves Klein, going from Rauschenberg's Combine-Paintings.

Today an eco-sustainable variable could be added, a sort of invitation not to waste and reuse what is possible, so the artist uses recovery materials to create sinuous trajectories and visual patterns. Pierre Restany wrote: "These humanized, saturated machines of sensitive marks, report, through their dials, their discs, their roses of the winds, the presence of the substance-key communication, the cosmic energy: that energy Intangible which, circulating freely in space, comes to animate our sensitivity and the foundation of all creative languages ".

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Sardano Vito

Vito Sardano born in Monopoli, 1948, where he lives and works. He studied industrial design, after obtaining a diploma as a technical draftsman in 1967, starting in the 1970s a deep artistic vocation drove him to devote himself to the study of painting and sculpture. His works are structures whose geometric whole returns, as in man's nemesis on the computer, in an ordered chaos in which he has been able to combine his creativity with his manual dexterity. Sardano's is an originally new language, achieved with objects sought and selected as part of his work as an industrial designer, as defined by Giorgio Di Genova and Pierre Restany.

Since 1980, he has regularly exhibited his works in prestigious group and solo shows and is present in public and private collections, including the Municipal Collection of Monopoli (Bari); Museum of Italian Generations of the 1900s "G. Bargellini" in Pieve di Cento (Bologna); Allotropya Museum of Cultural Heritage and Contemporary Art in Antikyra (Greece); LIMEN Museum of Contemporary Art Vibo Valentia Chamber of Commerce; PAN Museum Palazzo delle Arti in Naples and many more. In 2007, Giorgio Di Genova, art critic and historian, included an in-depth and wide-ranging study of his artistic production in the book titled "Art History of the 20th Century Generations 1940s."

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