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Product image 1Ninfa Seduta - Wiremesh painted sculpture in epoxy resin by Capaccioli Daniela - Fp Art Online
Product image 2Ninfa Seduta - Wiremesh painted sculpture in epoxy resin by Capaccioli Daniela - Fp Art Online
Product image 3Ninfa Seduta - Wiremesh painted sculpture in epoxy resin by Capaccioli Daniela - Fp Art Online
Product image 4Ninfa Seduta - Wiremesh painted sculpture in epoxy resin by Capaccioli Daniela - Fp Art Online

Ninfa Seduta - Wiremesh painted sculpture in epoxy resin

This is a unique piece

  • Artist Capaccioli Daniela
  • Category Figurative Sculptures
  • Creation year 2016
  • Dimensions 210 x 90 x 70 cm
  • Description Seated nymph, the divinity of nature in Greek mythology. Wiremesh painted in epoxy resin sculpture
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This piece is handmade to order
Estimated production time: 60 days

Signed with certificate of authenticity
This work includes a certificate of authenticity

Price on request

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Capaccioli Daniela

It is in Lombardy, in Monza near Milan, that Daniela Capaccioli takes her first steps. Her whole childhood oscillated between Lombardy and Tuscany. As a child, she is already unwillingly a budding artist: having a gift and a taste for observing people, things, and places, she draws tirelessly.
Then, little by little, she quickly experimented with the working of clay. As shy as she is a dreamer, she loves to think that emptiness is inhabited and that solitude is full of discreet and silent presences like thoughtful shadows. This attraction towards the discovery of the invisible in the space that surrounds us leads her to choose scenography as the first stage of her artistic training. Stage art thus allows her to make tangible what the emotional eye perceives.

She dedicates herself to sculpture modeling terracotta figures, deepening the techniques related to clay, and working with ceramics. These artistic paths are taught to her by the sculptors Beatrice Koster and Eugene N'Sonde, the plaster casts specialist Sebastien Nobile and the potters Annick Guillon and Thierry Fouquet.
But it is on the occasion of an exhibition entitled "The body and the air" (2002) that Daniela Capaccioli, led by Beatrice Koster, discovers a particular talent: that of giving body to the wire mesh, of making it malleable like clay.

Taming the metal to provide lightness and meaning is today the ultimate art she has chosen to share with the world.

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