Senza Titolo #3 - Oil and collage on canvas
This is a unique piece
- Artist Bonavita Alfonso
- Category Pop Paintings
-
Creation year 2006
- Dimensions 70 x 155 cm
- Technique Oil and collage on canvas
About
His figures - not figures are in real life only entities that recite the subject and backgrounds of his paintings are just the representation of objective reality. The bulky, clumsy, indistinct masses in the movement that populate his works, and crowd the space in an invasive, impersonal, useless way, are only parodies of the existing.
This piece is in stock and ready to ship
Signed by the artist
This work includes the artist's signature
Regular price € 4.270
White Glove or special needs?
Shipping, Returns & Payment
Our shipping methods are determined by item size, type, fragility and specific characteristics. Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
Return Policy
On items eligible for returns, consumers have 14 days from delivery to submit a return request. Returns are not eligible for custom-made items. Read our terms of sale
Online Payment
Fp Art Online accepts the following payment methods:
Buyer Protection Guaranteed
We want you satisfied. If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read our purchase protection
Bonavita Alfonso
Bonavita's "figures-not-figures" in reality are only entities that recite the subject and the backgrounds of his paintings are only the representation of an objective reality. The bulky, clumsy, indistinct masses in movement that populate his works, and crowd the space in an invasive, impersonal, useless way, are only parodies of the existing.
Private in their physiognomy from the distinctive characteristics of homo sapiens, with an infinitesimal skull, atrophied by the habit of thinking, by the absence of original formulations, provocatively ugly in a society devoted only to the appearance, inform against the cult of the defined, these figures-not-figures wander without a precise function, apparently without a goal, without a true function.
In Bonavita an antagonistic, critical frontality appears persistently, always driven by a corrosive desire to highlight the points of non-return of contemporary society. His staging, his representations, tell of situations related to isolation, the impossibility of a ransom, tell of the unease of the different, of the excluded, of the non-approved, forced to the margins by a society that refuses what is not has managed to stereotype.
